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And that's why they used the United States to eliminate this benefit to the disfavored. And no, as citizens of the United States you didn't "earn" off this event. Quite the opposite in fact. Many monarchies of centuries ago ruled with an iron fist. People were afraid and hence thought appropriately. This fear was conducive to a good relationship with the gods because it helped people make good decisions. Now in this era of "freedom" in the United States there is NO FEAR, proudly displayed on the back of people's vehicles, and people fall prey to the numberous tactics employed to disceive and mislead them. This "freedom" is the goal when the gods use this platform that is the United States to spread democracy around the globe, similar to how they use California as a platform to spread social and other poisons domestically Hells Angels, etc. The gods are the king with the iron fist in the sky. "Some people think they're earning off illegal immigration.

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AP Photo/Las Vegas Police DepartmentThis undated photo provided by the Las Vegas Police Department shows Jade Moris, 10, who police are searching for after she failed to return home Friday, Dec. 21, 2012, from a shopping trip with a woman arrested that night and accused of slashing the face of a female co worker at the Bellagio resort on the Las Vegas Strip. The woman, Brenda Stokes, 50, made her first appearance in Las Vegas Justice Court on Wednesday, Dec. 26, 2012. AP Photo/Las Vegas Police DepartmentThis booking photo provided by the Clark County Detention Center in Las Vegas, Nev,. Saturday, Dec. 22, 2012, shows 50 year old Brenda Stokes. Police in Las Vegas have issued a plea for information about 10 year old Jade Morris after she failed to return home Friday, Dec. 21, 2012, from a shopping trip with a woman who is thought to be Stokes. Stokes was arrested that night and accused of slashing the face of a female co worker at the Bellagio resort on the Las Vegas Strip. She made her first appearance in Las Vegas Justice Court Wednesday, Dec.

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They were reflections of how people spoke at that point in time, as far as outside observers could tell. Languages dont usually come into existence when someone invents the rules for them. Instead, languages evolve and change over time as speakers make modifications or respond to new needs. However, those early nineteenth century records remained in place as the supposed official version of Malagasy. Children learned the old form of grammar in school, even as they spoke a somewhat different version of the language at home. For Graeber, learning to speak the version of Malagasy people actually understood in conversation was a challenge. Native speakers he hired would instruct him on the nineteenth century grammatical principles, then turn and speak to each other in a whole other fashion. When asked why they couldnt teach him the version of the language they spoke, Graebers Malagasy teachers responded that they were just using slang. Asked why no one seemed to speak the official version, they said people were too lazy. Graeber writes, Clearly the problem was that the entire population had failed to memorize their lessons properly. But what they were actually denying was the legitimacy of collective creativity, the free play of the system.

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Note that the viola shown Geigen, German has no bowing bridge, has as many strings as a bowl back lute, has lute style bridge. Pretty much everything about the lute and viola shown there identical excepting body shape. The shape of the Geigen, in 1511, is essentially that of a viola sine arculo of Italy and Spain in the same time period. Oddly, there is a bow!next to a machine that looks like it's meant to be plucked. I believe this is a two in one illustration, space saving, reminding that there were two versions of the viola/Geigen, one plucked, one bowed, and also reminding of the relationships involved. Everyone alive then probably knew the implied too obvious to mention then meanings, correlations, relationships. The drawing is making it clear that viols are a type of lute that is bowed. And that type, is the viola/vihuela lute. Below, Plate from Sebastian Virdung's 1511 treatise Below; and oh my!a new addition to our collection as of 8 25 2006. This fabulous plucked vihuela with extreme waist cuts was just recently discovered June 22nd 2004 to be exact contained within a large fresco hidden behind a false ceiling for 300 years in the Cathedral of Valencia Spain. Stunning is the resemblance of this instrument to the above pictured bowed vihuela/viola in S.